Extended syncopations in "Nice Work If You Can Get It" from ADamsel in Distress (RKO, 1937): two short sequences, one towards the beginning of the number and a slightly longer one towards the end.
The flex of the wrist and flick of the fingertips demonstrated by the choreography’s originator Kay Mazzo in a performance of the Stravinsky-Balanchine Duo Concertant (1972) lingers in a much later performance by Laura Hecquet. The performance by Mazzo & Peter Martins was recorded by ZDF (Germany) in 1975. The performance by Hecquet and Hugo Marchand is from the Paris Opera Ballet, Palais Garnier, 2016.
In That’s Entertainment! III (MGM, 1994) behind-the-scenes footage reveals that Powell’s dance literally recomposes the dance space for "Fascinatin’ Rhythm" (Lady Be Good, MGM, 1941).